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Film trailer / Reference Generation

Space opera title trailer

Treat titles, picture, and sound as one timed trailer system instead of an overlay added at the end.

Official manual translationExpanded English translation of a partial manual prompt
Actual H3 output / 15s
Prompt -> result

What this output demonstrates

The finished trailer combines a fleet departure, lead-character close-up, title cards, hard editorial beats, and synchronized cinematic sound.

Control pattern
Treat titles, picture, and sound as one timed trailer system instead of an overlay added at the end.
Check in your run
Long title holds and too many glow effects can flatten the pace and reduce legibility.
Official manual example / English teaching translation / source reviewed 2026-08-08Open this example in the H3 manual
Shot structure
0s8s15s
INPUTR2V
ACTION01
CAMERA01
AUDIOON
Working principle

Treat titles, picture, and sound as one timed trailer system instead of an overlay added at the end.

Watch for

Long title holds and too many glow effects can flatten the pace and reduce legibility.

Adapt this brief

Prompt draft

Create a realistic cinematic space-opera trailer with high-contrast lighting and a tight pace. Image 1 defines the atmosphere and visual style; Image 2 locks the lead character. Shot 1 is an ultra-wide establishing view: an enormous circular cosmic gate fills almost the entire frame while the character appears as a tiny back-facing figure near the lower-right edge. The wet floor reflects the structure and the center of the gate remains black. Push forward slowly. A wide-tracked title emerges from the darkness, first blurred and then sharp: “THE STARS WERE LISTENING.” Use a narrow, heavy, uppercase typeface in dark rust red with restrained material texture, soft grain, and a faint edge glow. Audio: a deep low-frequency pulse, distant metallic vibration, and one subtle impact as the title becomes clear. Hard cut into faster bridge vibration, bright flashes, short black frames, and a final jump-impact beat. Keep the trailer grand but never slow.

Replace the subject and reference roles first. Change camera, timing, and sound one variable at a time.