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Fashion transition / Reference Generation
Official manual translationTranslated from a MiniMax H3 manual exampleTelescope fashion keyframes
A fixed optical mask plus transitions at peak blur can connect several keyframes without visible jumps.
Actual H3 output / 15s
Prompt -> result
What this output demonstrates
The result holds the binocular mask while moving through architecture, fabric, a street-fashion figure, and eyewear with blur-timed transitions.
- Control pattern
- A fixed optical mask plus transitions at peak blur can connect several keyframes without visible jumps.
- Check in your run
- Any change to the binocular mask or extra scene content breaks the visual system.
Shot structure
0s8s15s
INPUTR2V
ACTION01
CAMERA01
AUDIOON
Working principle
A fixed optical mask plus transitions at peak blur can connect several keyframes without visible jumps.
Watch for
Any change to the binocular mask or extra scene content breaks the visual system.
Adapt this brief
Prompt draft
Use Images 1 through 4 as consecutive keyframes seen through an old binocular viewfinder searching for a MINIMAX installation. Begin out of focus with restrained handheld movement, then push in quickly and rack focus onto Image 1. Move between images with fast binocular sweeps, whip motion, optical streaking, motion blur, and brief exposure flicker; change the image at peak blur, then stabilize and refocus. Keep the same fixed double-circle mask throughout, with identical position, size, feathered black vignette, and edge softness. Only the scene inside the lenses may move. In Image 2, let the fabric move gently while the MINIMAX lettering follows the cloth and stays readable. In Image 3, the model walks and turns like an unposed fashion passerby. In Image 4, the model adjusts the glasses or lifts the chin with a cool, relaxed campaign attitude. Red type begins slightly blurred and transparent, fades into focus within 0.3 to 0.5 seconds, and exits through blur before the next transition. Use 35mm film grain, soft highlight bloom, controlled color, and restrained red accents. Do not add people, vehicles, buildings, or logos. Preserve the original compositions and the MINIMAX installation.Replace the subject and reference roles first. Change camera, timing, and sound one variable at a time.